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Up until recently, Jeff Wichmann's musical worlds have been divided into two camps - the trumpet and the Japanese koto.  In one he's put out four albums playing horns and keys with the Chicago rock band TENKI and is currently marching around the US with Environmental Encroachment. In the other camp he's been playing contemporary and traditional music on the koto for 20 years in local and international koto ensembles. He's collaborated with international experimental instrumentalists, dancers, junk-yard sculpture artists, experimental composers, rock bands and poets. Also, using the koto, he's transposed, composed and performed scores for theater - the most recent being with the Steppenwolf Theater production of Haruki Murakami's "After The Quake".
 
In 2009 he finally fused the two worlds and recorded his first solo album called "Ahhh!!!" to be released in the spring of 2010.
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HISTORY
 
Wichmann was introduced to the piano at an early age, then dropped it for trumpet and has been playing ever since. It wasn't until he attended Augustana College in Rock Island, Illinois where he was introduced to the koto by Dr. Jesse Evans. After graduating he moved to Tokyo to study traditional and contemporary Japanese music under koto master Kazue Sawai and received a koto license from the Sawai Koto Academy.
 
Over the years he's relied on both his western and eastern musical backgrounds to transpose and adapt various western works to be performed on koto, including a new rendition of Puccini's "Madame Butterfly", Sondheim's "Pacific Overtures", and other arrangements by Bach, The Beatles, Hendrix and Led Zeppelin. In 2005-2007, he was the touring koto player in Chicago-based Steppenwolf Theatre's production of Haruki Murakami's "After The Quake", directed by Tony award winner Frank Galati. 350 performances showed in Chicago, San Francisco, San Diego and New Haven. He worked with cellist Jason McDermott and sound designer Andre Pluess to fuse rock/pop and classical western/Japanese genres into a live score which ended up winning three annual critics choice awards in three cities for Best Original Score. In 2008 he was the featured koto player in the theatrical sound design for Steppenwolf's next production/adaptation of Murakami's novel Kafka On The Shore. 
 
In 2009, Wichmann collaborated with experimental Japanese sound designer HAL (aka Yasuharu Ohkouchi) to create a soundscape that represents Tokyo in 2010. The 11+ minute piece was curated by
Tokyo trend agency fivebyfifty to be used at the famous Paris fashion expo Pret a Porter.  Tokyo street recordings were mixed with studio recordings of Wichmann in Chicago. Story here.
 
He is still performing and recording with the rock band TENKI after 4 studio albums. Their 5th album is due out in 2010. In 2009, Wichmann began performing trumpet with Environmental Encroachment Magic Circus Band who became the focus of a documentary Louder Than Words surrounding the ever-growing Honk Fest in Boston. He's been a past performing member of Koto Phase, Spring Valley Koto Ensemble, Chusei Koto Ensemble, Group Otoko, JeffeJ, Sunday Mind, Seaweed, and Brain Coral.
 
He's collaborated and performed with pianist Rei Hotoda, composer/saxophonist Gene Coleman, kotoists Curt Patterson and Shoko Hikage, string telephone wizard Kazue Mizushima, and recorded with Track A Tiger, Robot USA/Jeff Konrad, The Demilos, and The Multiple Cat.
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DISCOGRAPHY
 
KOTO
"Ahhh!!!" - Solo Koto/Trumpet album to be released in Spring, 2010
"Flood" - Contemporary Koto duets and solos featuring Dr. Jesse Evans, 2001
 
TENKI
"TBD" - Forthcoming album in 2010.
"Red Baby" - 2002
 
GUEST ON OTHER ALBUMS
"Peaking Through the High Hats" - The Demilos, 2008
"We Moved Like Ghosts" - Track a Tiger, 2007
"Robot USA" - Robot USA/Jeff Konrad,1999